{"id":2608,"date":"2016-05-20T23:01:46","date_gmt":"2016-05-20T20:01:46","guid":{"rendered":"http:\/\/infokam.eu\/blog\/?p=2608"},"modified":"2016-05-21T08:04:28","modified_gmt":"2016-05-21T05:04:28","slug":"asa-va-place-sa-cititi","status":"publish","type":"post","link":"https:\/\/infokam.eu\/blog\/2016\/05\/20\/asa-va-place-sa-cititi\/","title":{"rendered":"A\u0219a v\u0103 place s\u0103 citi\u021bi ?"},"content":{"rendered":"<p align=\"justify\"><em>Acest text este un fragment din cartea lui Dan Alexe \u2013 Dacopatia \u0219i alte r\u0103t\u0103ciri rom\u00e2ne\u0219ti, editura Humanitas 2015<\/em><\/p>\n<h1 align=\"justify\"><span style=\"font-family: Arial;\">Bulgarii \u0219i s\u00e2rbii au g\u0103sit defini\u021bia manelelor<\/span><\/h1>\n<p align=\"justify\">\n<p align=\"justify\">\n<p align=\"justify\"><span style=\"font-family: Arial;\">Bulgarii au exact acela\u015fi gen de muzic\u0103 vulgar\u0103 ca noi, l\u0103l\u0103ituri turce\u015fti-\u0163ig\u0103ne\u015fti electronice de mahala, un gen deve\u00adnit omniprezent, ca manelele \u00een Rom\u00e2nia, \u015fi numit cealga.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"http:\/\/&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/uzHKG86K1ps&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/uzHKG86K1ps\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Precum tangoul, rebetika, bluesul \u015fi fadoul, manelele rom\u00e2ne\u015fti \u015fi cealga bulg\u0103reasc\u0103 sunt o muzic\u0103 suburban\u0103, o muzic\u0103 de mahala impregnat\u0103 de temele cunoscute ale luz\u0103rului \u00een faz\u0103 terminal\u0103: s\u0103r\u0103cia, e\u015fecul, du\u015fm\u0103nia sau indiferen\u0163a celorlal\u0163i, ostilitatea fa\u0163\u0103 de autorit\u0103\u0163i, ingratitudinea curvelor oportuniste.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"http:\/\/&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/L9Zi5WWSxps&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/L9Zi5WWSxps\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Dincolo de influentele turce\u015fti, \u00eeti vine imediat \u00een minte compara\u0163ia cu bluesul. P\u00e2n\u0103 \u015fi structura melodic\u0103 de 4\/12 a blues\u00adului e reprodus\u0103 deseori \u00een manele \u015fi \u00een cealga.<\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Vine apoi genul numit turbofolk din Serbia. Diferen\u0163ele \u00eentre turbofolk, pe de-o parte, manele \u015fi cealga, pe de alta, sunt nu doar melodice, ci \u015fi socio culturale \u015fi etnice. In cazul turbofolkului, interpre\u0163ii \u015fi publicul nu sunt \u00een majoritate \u0163igani, precum \u00een Bulgaria \u015fi Rom\u00e2nia, ci s\u00e2rbi.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/7mKnLVqDCIM?list=PL02xpkHsWqjjNcYpqjJPxAR0lf_v-mAW4&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7mKnLVqDCIM?list=PL02xpkHsWqjjNcYpqjJPxAR0lf_v-mAW4\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Ascensiunea turbofolkului de-a lungul anilor 1990 a marginalizat cu totul rockul s\u00e2rbesc tradi\u0163ional al trupei la Bijelo Dugme, devenit muzica depresivilor din capital\u0103.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/trl_kRPNGn0&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/trl_kRPNGn0\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">R\u0103posatul Milo\u015fevici nu va r\u0103m\u00e2ne \u00een istorie doar ca \u201em\u0103celarul Balca\u00adnilor&#8221;, sau poate nici m\u0103car drept cel mai dezastruos lider po\u00adlitic s\u00e2rb din toate timpurile; pentru s\u00e2rbi el va fi \u00eentotdeauna cel care a creat condi\u0163iile pentru apari\u0163ia a trei mari subproduse culturale s\u00e2rbe\u015fti: turbofolkul, filmele cu \u0163igani (cli\u015feizate de Kusturica) \u015fi muzica lui Goran Bregovici.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/EZf00ad3G6o&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/EZf00ad3G6o\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">\u00cen primii ani ai lui Milo\u015fevici, sloganul cel mai popular venea dintr-un \u015flag\u0103r de turbofolk:<\/span><\/p>\n<p align=\"center\"><span style=\"font-family: Arial;\">\u201eCoca-Cola, Marlboro, Suzuki, <\/span><\/p>\n<p align=\"center\"><span style=\"font-family: Arial;\">Discoteca, ga\u015fca \u015fi buzuki,<\/span><\/p>\n<p align=\"center\"><span style=\"font-family: Arial;\">Asta-i via\u0163a, nu e propagand\u0103,<\/span><\/p>\n<p align=\"center\"><span style=\"font-family: Arial;\">Tare-i bine s\u0103 tr\u0103ie\u015fti \u00een band\u0103&#8230;\u201c<\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">.. .Asta \u00een vremea \u00een care \u00eencepuser\u0103 r\u0103zboaiele din Croa\u0163ia \u015fi Bosnia.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/Bzx7DRJmv5g&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Bzx7DRJmv5g\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">\u00censu\u015fi termenul turbofolk a fost inventat de un com\u00adpozitor cu pseudonimul neverosimil Rambo Amadeus, care, \u00eenainte de a deveni un soi de Frank Zappa s\u00e2rbo-muntenegrean, parodia tendin\u0163ele spre genul de muzic\u0103 ce reprezint\u0103 \u00een Serbia echivalentul manelelor din Rom\u00e2nia.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/qnPZy3vHmsA&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/qnPZy3vHmsA\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Ideea de turbo i-a venit lui Rambo Amadeus \u00een urma unuia din primele suc\u00adcese ale acestui gen, 200 na sat(\u201e200 la or\u0103\u201c), crea\u0163ia unui pre\u00adcursor al turbofolkului, Ivan Gavrilovic, care glorifica ma\u015finile rapide \u015fi un stil de via\u0163\u0103 hedonist.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/3is49vWMwFI&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/3is49vWMwFI\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">\u00cenc\u0103 din anii 1970, scena muzical\u0103 a Belgradului s-a \u00eemp\u0103r\u00ad\u0163it \u00eentre rockul or\u0103\u015fenilor tineri \u015fi neofolkul \u0163\u0103ranilor veni\u0163i la ora\u015f. \u00eentr-un asemenea climat, gusturile muzicale deveniser\u0103 un element clasificatoriu important \u00een definirea identit\u0103\u0163ii so\u00adciale. Rockul s\u00e2rbesc era original \u015fi de calitate, iar \u00een min\u0163ile fanilor el se situa la acela\u015fi nivel cu cel din Occident. Cele mai mari gmpuri pop iugoslave \u00ee\u015fi \u00eenregistrau albumele \u00een studiouri din Londra, Paris \u015fi Amsterdam \u015fi dispuneau de echipament ultramodern \u015fi de bugete de promovare. Pia\u0163a muzical\u0103 iugoslav\u0103 era stabil\u0103, exista o \u00eentreag\u0103 pres\u0103 specializat\u0103 \u00een muzic\u0103 \u015fi ap\u0103\u00adruser\u0103 deja subgenuri: punk , new wave, sminkeri (un amestec local, termenul fiind echivalentul rom\u00e2nescului \u015fmecheri).<\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Destr\u0103marea violent\u0103 a Iugoslaviei \u015fi venirea la putere a unor regimuri autoritare la Belgrad, Zagreb \u015fi Sarajevo au impus importante evolu\u0163ii culturale \u00een \u00eentreaga regiune. In Serbia, cultura a devenit inseparabil\u0103 de r\u0103zboi. Subcultura turbofolkului s\u00e2rbesc a beneficiat de \u00eentreaga ma\u015fin\u0103rie mediatic\u0103 a statului, care a popularizat ideologia noilor elite \u00eembog\u0103\u0163ite, compuse din politicieni na\u0163ionali\u015fti, speculan\u0163i cu averi pro\u00advenite din jafurile r\u0103zboiului \u015fi gangsteri ce sprijineau regimul. <\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Noul gen muzical consta \u00eentr-un amestec de folclor electronizat, interpretat \u00een stil M T V \u015fi combinat cu o simbolistic\u0103 a consumerismului occidental adaptat la gusturile mahalalelor s\u00e2rbe\u015fti.<\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Ascensiunea turbofolkului de-a lungul anilor 1990 \u00een pa\u00adralel cu cutremurele care au sf\u00e2\u015fiat societatea s\u00e2rb\u0103 a marginalizat cu totul rockul, devenit, cum spuneam \u00eenainte, muzica depresivilor din capital\u0103, \u00een vreme ce restaurantele \u015fi cluburile erau invadate de tineri tun\u015fi foarte scurt, cu lan\u0163uri de aur peste trening \u015fi ascult\u00e2nd, desigur&#8230; turbofolk.<\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\"><a href=\"https:\/\/infokam.eu\/blog\/wp-content\/uploads\/2016\/05\/arkan.jpg\"><img loading=\"lazy\" decoding=\"async\" style=\"display: inline; background-image: none;\" title=\"arkan\" src=\"https:\/\/infokam.eu\/blog\/wp-content\/uploads\/2016\/05\/arkan_thumb.jpg\" alt=\"arkan\" width=\"600\" height=\"468\" border=\"0\" \/><\/a><\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">Virusul turbofolkului s-a instalat at\u00e2t de bine, \u00eenc\u00e2t a infec\u00adtat \u00eentreaga regiune, nu doar Serbia. S-a ajuns la situa\u0163ia para\u00addoxal\u0103 \u00een care tineri croa\u0163i \u015fi bosniaci care fuseser\u0103 v\u00e2na\u0163i de for\u0163ele s\u00e2rbe\u015fti s\u0103 \u00eenceap\u0103 s\u0103 danseze pe muzica lui Ceca, c\u00e2n\u00adt\u0103rea\u0163a s\u00e2rboaic\u0103 m\u0103ritat\u0103 pe atunci cu criminalul de r\u0103zboi &#8211; \u00eentre timp asasinat &#8211; Zeljko Raznatovic Arkan.<\/span><\/p>\n<p align=\"justify\">\n<p align=\"justify\"><a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/l1zAMQXG36o&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/l1zAMQXG36o\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">In cealga bulg\u0103reasc\u0103, genul cel mai apropiat de manelele rom\u00e2ne\u015fti, se poate remarca faptul c\u0103, \u00een ciuda similitudinilor ce merg p\u00e2n\u0103 la identitate: \u0163ig\u0103nie, mahala, dans din buric, paiete \u015fi lan\u0163uri de aur peste trening, exist\u0103 o diferen\u0163\u0103 major\u0103 \u00een percep\u0163ia publicului. Compara\u0163ia cu bluesul func\u0163ioneaz\u0103 mai mult \u00een Rom\u00e2nia. <\/span><\/p>\n<p align=\"justify\"><span style=\"font-family: Arial;\">In Bulgaria \u00eens\u0103, percep\u0163ia e inversat\u0103, cum o rezum\u0103 dictonul popular:<\/span><\/p>\n<h2 align=\"justify\"><span style=\"font-family: Arial;\">\u201eBluesul e atunci c\u00e2nd un gagiu mi\u015fto d\u0103 de r\u0103u &#8211; maneaua e c\u00e2nd un nasol d\u0103 de bine.&#8221;<\/span><\/h2>\n<p align=\"justify\">\n<p align=\"justify\">\u00a0<a href=\"&lt;iframe width=&quot;600&quot; height=&quot;336&quot; src=&quot;https:\/\/www.youtube.com\/embed\/IkSMXhoQiBc?list=PLjR_VQS6Q5XnHag0AH6MeiT4S9ZONxUHj&quot; frameborder=&quot;0&quot; allowfullscreen&gt;&lt;\/iframe&gt;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IkSMXhoQiBc?list=PLjR_VQS6Q5XnHag0AH6MeiT4S9ZONxUHj\" width=\"600\" height=\"336\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Acest text este un fragment din cartea lui Dan Alexe \u2013 Dacopatia \u0219i alte r\u0103t\u0103ciri rom\u00e2ne\u0219ti, editura Humanitas 2015 Bulgarii \u0219i s\u00e2rbii au g\u0103sit defini\u021bia manelelor Bulgarii au exact acela\u015fi gen de muzic\u0103 vulgar\u0103 ca noi, l\u0103l\u0103ituri turce\u015fti-\u0163ig\u0103ne\u015fti electronice de mahala, un gen deve\u00adnit omniprezent, ca manelele \u00een Rom\u00e2nia, \u015fi numit cealga. Precum tangoul, rebetika, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[306,305,307],"class_list":["post-2608","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-chalga","tag-manele","tag-turbofolk"],"_links":{"self":[{"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/posts\/2608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/comments?post=2608"}],"version-history":[{"count":8,"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/posts\/2608\/revisions"}],"predecessor-version":[{"id":2629,"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/posts\/2608\/revisions\/2629"}],"wp:attachment":[{"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/media?parent=2608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/categories?post=2608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infokam.eu\/blog\/wp-json\/wp\/v2\/tags?post=2608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}